For South Korean pianist Yeol Eum Son, the sonata for piano is “one of the most ultimate forms of classical music.”
But the sonata (a composition, usually for a solo instrument or small ensemble, that typically consists of two to four movements) comes in all shapes and sizes – after all, composers have been writing them at least since the 1700s.
So consider the program Son has assembled for a Sunday recital in Corvallis as a grand tour of sonatas, with selections ranging from a sonata originally written for the harpsichord in the 18th century to a 1989 work that straddles the line between jazz and classical.
“I just wanted to explore all different types of the sonata form, from different times and different regions and, yes, different conceptions,” Son said in a recent interview with Corvallis-OSU Piano International.
Son performs at 4 p.m. Sunday, March 6 at the LaSells Stewart Center in Corvallis. The concert is part of the Corvallis-OSU Piano International Steinway Piano Series. (See the related story below for ticket information and other details.)
Her Corvallis program satisfies another goal she likes to achieve in her performances, both live and in the recording studio: She prefers to mix familiar works (Sunday’s program includes pieces by Mendelssohn, Prokofiev and Ravel) with works that audiences might not have heard before. Sunday’s concert, for example, begins with that harpsichord sonata by Baldassare Galuppi – a composer who was considerably more famous in the 1700s than he is today.
And the concert ends with a showstopper: Nikolai Kapustin’s Sonata No. 2 from 1989, a 25-minute whirlwind that sometimes sounds improvised, but isn’t: Kapustin was a stickler for writing down every single note – and, for this piece, that’s a lot of writing.
“It’s really a very difficult piece for many reasons, because it’s such a hybrid piece between jazz and classical,” Son said. “It has a lot of elements,” including a touch of the avant-garde. “And the harmony progression is so impressive that it’s something I hadn’t experienced before. It was quite a challenge for me to learn this piece in the beginning.”
Performing it live provides a challenge as well: “It never stops, it never pauses, it goes on and on and on and keeps developing. It’s actually really fascinating.”
Between the Galuppi and the Kapustin works, Son has sandwiched Mendelssohn’s Sonata No. 2 in G minor (written when the composer was just 12 years old), Prokofiev’s Piano Sonata No. 3 in A minor (“From Old Notebooks”) and Ravel’s “Sonatine.”
The 35-year-old Son has been playing the piano since she was 3½ — and would have started a year earlier, she said, but she was rejected by the piano teacher at that time for being “too little. She told me to come back a year later.”
Son did. And she’s been playing piano ever since, performing in venues around the world (including a 2004 performance with the New York Philharmonic) and racking up awards, including the Silver Medal at 2011’s International Tchaikovsky Competition. She started her recording career when she was 18, with a 2004 recording of Chopin’s Etudes. In 2021, she released an album of Kapustin’s music, including the sonata she’s performing in Corvallis.
Considering her long list of albums, it’s surprising to learn that she used to dislike recording sessions: “I just didn’t like it at all when I was younger,” she said. “Now, I’ve discovered the beauty of it. Recording something that will last longer than you, longer than me, that’s the part I value.”
In fact, in the days before she flew out of Korea for the Corvallis show and a handful of other dates on the West Coast, she worked on her latest recording project, the complete Mozart piano sonatas. “It’s a big project but I’m hoping it will be completed soon,” before the end of the year, she said.
Son isn’t a stranger to Corvallis: She played a date in 2019 as part of that year’s Corvallis-OSU Piano International series. And, although so many of the concerts a musician performs on tour eventually must blend into a blur, she said she remembers that stop in Corvallis: “I totally remember every minute I spent in Corvallis; it was so special, because of the people I met there. … Everyone was so completely enthusiastic about music and piano playing. … Not every city is like this, even big cities, major cities. It is very, very rare to find this quality.”
If You Go
What: Pianist Yeol Eum Son in concert, presented by Corvallis-OSU Piano International.
When: 4 p.m., Sunday, March 6.
Where: The LaSells Stewart Center, 875 SW 26th St. in Corvallis.
How much: Tickets are $25 in advance and $28 at the door. To buy tickets online, go to corvallispiano.org. All students are admitted free, college students must show ID.
COVID protocols: OSU students and employees who have complied with OSU vaccination policies may show their OSU ID to enter the event. Other patrons will be required to show proof of completed COVID vaccination or a negative test (within the previous three days) to enter the venue. A photo ID is required. Click here to learn more.
When she was here the last time, I had several opportunity to talk with her while driving her to PDX. One of the things people should know is that South Korea has invested a great deal of money in the development of performers with the results that during the past 30 years, South Korea has produced some of the finest classical musicians in the world. She is one of them. In addition the govt of South Korea was also a major force in developing and promoting K-Pop.
Her YouTube performances of Etudes and other compositions by Nikolai Kapustin are fabulous. She is also a big fan of the late Earl
Wild’s transcriptions of songs by the Gershwins.It will be a wonderful recital.
thank you for writing this critical and informative information to help us noobies